The Anatomy of 8 Million Dreamers

Every now and then a song speaks to us–and it speaks for us. It captures exactly what our hearts are feeling but are unable to say. It brings a tear to our eye, a smile to our face and a memory to our soul. It touches us, and we feel it with every ounce of our flesh that covers our body. And even though we know it wasn’t written for us, we know it doesn’t matter, that we can feel anything we want to feel when we hear it–as if it was written by our own hearts.

Every time I hear or listen to a song about New York City, my heart flutters. It doesn’t matter that I didn’t grow up here–or that I didn’t experience the trials and tribulations–the crime or the craziness–the soot or the sadness. All that matters is every time I hear a song about New York, I am reminded of the rush I feel each time I sit in Grand Central, or of the flood of excitement I have, each time I meet a new person, or of the disdain I have for the work day commutes (Ha), and, lastly, of course I am reminded of the passion and love I have for each nook and cranny in this city.

Each day that I was in Italy, I called New York City my home–and it’s no wonder–I have never felt more home than in the moments I have spent sitting in the subway trains; or in the moments that I have spent chatting over coffee at my favorite shop (Bourbon–14th street and 5th); or in the moments that I’ve spent on the Brooklyn Bridge; or in the seconds that I have spent in dodging tourists in Times Square. I have never felt more on top of the world than in the moments I stare out my 26th floor work window at the dazzling skyscrapers that reflect off of one one another in the night time glow. And I have never felt more relieved, relaxed, or comforted than in the moments I have spent with the friends that I have found, the talent that I have encountered, and the family that I have made here.

You know, they say if you let something go and it comes back–then you know it’s real love…well I left for a bit, three months…and I came back. In fact, it was nearly hours after I heard Empire State of Mind (II), by Alicia Keys, for the first time, that I made my decision to come home, months earlier than I had planned.

Like songs–I want this video to have captured what I feel each time I walk down an alley way–a street–or a set of subway stairs as well as what I feel each time I see or meet a stranger or watch a talented street performer. I wanted this video to play out like all the songs I hear that cause a tear to shed or a smile to cross my face each time I hear it, and think of this city. I wanted this video to speak what was on my heart while looking into the hearts of others–I wanted this video to dissect the anatomy of the dreamers that live in this city–that breathe this city–that love this city. Because really–if they can make it here–they can make it anywhere. I hope you enjoy:

"Behind this heart, there's 1,000 hearts that keep me on track"

The most intimate concerts often take place in low-lit, hole-in-the-wall bars where you can literally reach out and touch the artist from the furthest point in the bar. These are the types of concerts where you get nervous to take a photo, because you believe that the flash you set off will blind the artist as well as the entire crowd that has squished together. It’s the kind of show where you can stab a line here and there back and forth with the artist—making it feel as though you have created a friendship—a relationship—an affair, for the brief forty-five minute set.

But I’ve found something even better: The kind of show where you sit down with the artist one-on-one, where he or she plays every song that he or she has ever written, and offers you a story behind each one. This is the type of show where you don’t even take photos because you feel such a personal connection between the artist and yourself. You realize quickly that a picture wouldn’t capture the moment as well as the exchange of words, and it’s the type of show where you truly feel like the only person in the room…because…well you are.

And that’s the experience that I had recently, when I got to sit down with friend, singer, and songwriter Paul Knakk, who breaks the standard “1 in 10 songs is a hit” rule and creates an abundance of music that would have overtaken the once highly rated TRL every day. Paul Knakk is a gem.

Never have I had the opportunity to truly sit down with someone and talk about their work—their creative niche—their passion, while watching them really engage in that talent that they have. It truly is a rare and exhilarating moment to see someone smile while they are doing what they love.

Paul and I attended the same high school, but I didn’t really know him until recently. A year younger than me, we never had the same classes, and we didn’t share groups of friends. I had known who he was because of pictures he had posted from when everyone was in middle school, pictures that many people got a really great laugh about when originally posted. About a year ago, Paul and I became Facebook friends, probably because one of us saw that the other had many mutual friends and we went to the same school. Soon after, I learned that Paul was pursuing music. I checked out his videos, his notes, and took the time to listen—and I really enjoyed it.

Unable to make it to one of Paul’s shows in the last year, I formed a friendship with him always discussing the music and what he had planned next. He went on to try out for American Idol this past year where he met many contacts and formed connections that will truly help his music career. The more he talked about his music—his recent show—and the fact that he was going to get a brand new amazing guitar—the more I knew that I had to hear him play live.

So the other day I finally took the opportunity to sit in on a private concert, where Paul played every song he has ever written. Two guitars, two locations, and three and a half hours later, I now knew Paul better than I had known many people that I have been acquainted with for many years. Paul’s music gives sound to his life experiences while also allowing you to connect and feel like the words have been written just for you, like Paul wanted to tell not only his story, but yours too. At most points, during my private show, I had wished that I had a pencil and paper because his lyrics drove thoughts and inspired ideas of my own. His music—his stories—they gave me chills.

Paul’s story is an amazing one that highlights most people’s experiences in adjusting to a world filled with love, hate, and jealousy. What else is amazing about Paul and his musical endeavors? He has self-taught himself, putting together his delicate words with outstanding notes. I would have guessed Paul had been playing for years…but was surprised to learn that he has only really been writing and playing for a year and a half. As Paul and I agreed, there’s nothing that other artists have—that he doesn’t.

Not everyone has the guts to go for their dreams and not everyone has the will to fight for their passions. But after leaving Paul’s house, I realized how important it is that we recognize our talents and the talents of others. Many nights we sit around and fight to find something to do. Should we go get drinks? What about a movie? How about one night where we just sit around with a close friend and experience what makes them happiest...where we just fully experience them. The lights don’t have to be dim, the location doesn’t have to be a hole-in-the-wall, the cameras don’t have to be in hand, and the conversation doesn’t have to be simple…even if it’s a simple night. This is the best kind of concert—this is the best type of night.

For more information on Paul Knakk, I suggest friending him Paulie or by joining his Facebook Group. Once becoming friends with Paul, you can check out his beautiful lyrics in his notes and watch videos of him playing. His YouTube page is currently undergoing maintenance, but you can bet that once it is back up, the volume on his site is going to soar. And at shows…well the girls will be chasing him down, of that I can guarantee. I’m lucky to know and be friends with such a talented musician.